Rod Serling would no doubt have been a fan. To me, it’s always felt something like a movie-length episode of The Twilight Zone, and I mean that in the most complimentary way I can. Carnival of Souls is vintage psychological horror on a miniscule budget, and has since been cited as an influence in the fever dream visions of directors such as David Lynch. As she seemingly begins to fade in and out of existence, the nature of her reality itself is questioned.
The story follows a woman (Candace Hilligoss) on the run from her past who is haunted by visions of a pale-faced man, beautifully shot (and played) by director Herk Harvey. Granted, it’s not the masterpiece of Night of the Hunter, but it’s a chilling, effective, impressive little story of ghouls, guilt and restless spirits. Here are the 100 best movies of the 1960s:Ĭarnival of Souls is a film in the vein of Night of the Hunter: artistically ambitious, from a first-time director, but largely overlooked in its initial release until its rediscovery years later. One of the most exciting decades in the history of movies, it tracked the evolution of design, story, theme and production impacting the artform around the globe.
Easy rider magazine tv#
Fighting back against the rise of TV with subject matter and artistry not yet found on the small screen, filmmakers found a welcoming youth audience and an environment that allowed them some flexibility with the advent of the MPAA.
Around the world, Japanese cinema flourished and Italy found itself making a name in horror and-somewhat inexplicably-Westerns.Įasy Rider and 2001: A Space Odyssey would signal a change in cinema as the decade came to a close, but over the course of the 1960s, everyone from Kubrick to Kurosawa to Hitchcock to Bergman to Leone to Ford to Godard were making masterpieces.
The cynical noirs and escapist epics were slowing down, replaced by ambitious formal experiments like those found in the French New Wave. The old ways were on the way out in the 1960s film world.
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